THE PATTERN AND LEARNING PACKAGE OF THE CREATION DANCE PERFORMANCE, “A CHARMING IN ARTS”
DOI:
https://doi.org/10.14456/nrru-rdi.2021.67Keywords:
Ceiling painting in the temple, Folk art, Mon korat, Charming artsAbstract
The painting skill on the ceiling of the Northeast Buddhist temple of Mon villagers, Pak Thong Chai District. Nakhon Ratchasima Province leads to characteristics and meanings to find a form of creative works in the form of dance and to create a set of knowledge to disseminate the creative performance, called ‘Charming in Arts. The qualitative research is used by collecting documentary data and creating a structured interview format that corresponds to the content of the whole issue of 1.00. Research data was from conducting in-depth interviews 6 individuals with key informants were selected by specific means, then analyzed the data with an inductive method. The 13 skillful selective female performers who performed at least two national performances, and the data was analyzed in a descriptive manner with illustrations. The results showed characteristics and meanings that are classified into 4 characteristics, namely 1) natural animals, 2) supernatural animals, 3) flora, and 4) stars. The creative form elements are based on (1) storyline of traveling, collecting, and making merit, (2) Thai dance performers, (3) the concept of traveling to become the Mon community, and drawing worshiped artistic lines for the Buddha, (4) Lao Kham Hom , Mon Doo Dao , and Chin Kep Buppha songs are combined, (5) printed white clothes of pictures and paintings; (6) a wide open space for near-far distance views; and 7) dresses in local Mon style. As the knowledge set, it creates the valuable inspiration from the imagination to Thais and Mon descent villagers.
References
Arts and Culture CNX. (2020). Kan-Ram-Mon. Retrieved October 30, 2020, from https://artsandculture-cnx.com/การรำมอญ/ (In Thai)
Boonrod, S. (2014). Appropriation art. Retrieved October 30, 2020, from https://www.facebook.com /notes/414969839899696/ (In Thai)
Chamnanmor, D. (2014). The dance creation to stop violence on women. Dissertation, Doctor of Fine and Applied Arts Program in Fine and Applied Arts, Faculty of Fine and Applied Arts, Chulalongkorn University, Bangkok. (In Thai)
Chandnasaro, D. (2014). The dance from concept of trilaksana in buddhism. Dissertation, Doctor of Fine and Applied Arts Program in Fine and Applied Arts, Faculty of Fine and Applied Arts, Chulalongkorn University, Bangkok. (In Thai)
Charassri, N. (2005). History of Western Danece. Bangkok : Chulalongkorn University Press. (In Thai)
Charassri, N. (2016). Professor Dr. Interview.
Cultural Arts Center, Nakhon Ratchasima Rajabhat Institute. (1995). Good things Korat Volume 2 : Arts and Languages. Nakhon Ratchasima : Nakhon Ratchasima Rajabhat Institute. (In Thai)
Denzin, N. K., & Lincoln, Y. S. (2000). The discipline and practice of qualitative research. In N. K. Denzin and Y. S. Lincoln (Eds.). Handbook of Qualitative Research (2nd ed.). (pp. 1-36). Thousand Oaks, CA : Sage.
Furage, S. (2011). Mime : The art of gestures and movement. Bangkok : Thammasat University Press. (In Thai)
Hazelton, L. (2009). Loie Fuller. Retrieved October 30, 2020, from http://loiefullerproject.blogspot.com/
Inta, B. (2007). A Study of Forms and Meaning of the Ceilling Paintings at Wat Pathum Khong Kha (Wat Nok-ok). Research report. Nakhon Ratchasima Rajabhat University, Nakhon Ratchasima. (In Thai)
Inthakanok, W. (1977). Lao-Rueang-Mueang-Nakhon Ratchasima-Boran-Nai-Watthanatham-Thai-Phak-Ta-Wan-Ok-Chiang-Nuea. Nakhon Ratchasima : Nakhon Ratchasima Institute. (In Thai)
Jiwakanon, R. (2007). Old Story Project New Story 3: Art Direction for Contemporary Drama. Research report. The Thailand Research Fund, Bangkok. (In Thai)
Kaewthep, K. (2009). Media Analysis : Concepts and Techniques. Bangkok : Phapphim. (In Thai)
Makpa, P. (2004). Choetching : A standard male dance in lakon nai. Thesis, Master of Arts Program in Thai Dance, Faculty of Fine and Applied Arts, Chulalongkorn University, Bangkok. (In Thai)
Mukdamanee, W. (2014). Artists with creative research. Research Community, 20(115), 8-10. (In Thai)
Na Songkhla, W. (1990). Mural painting in Thailand. Bangkok : Fine Arts Department. (In Thai)
Nathayanawin, N. (2015). The creation of a dance by slave. Dissertation, Doctor of Fine and Applied Arts Program in Fine and Applied Arts, Faculty of Fine and Applied Arts, Chulalongkorn University, Bangkok. (In Thai)
Nop-udomphan, K. (2011). History of thai costume. Bangkok : Srinakharinwirot University. (In Thai)
Paladsingh, P. (2000). Kon Mon. Nonthaburi : Thanbuakaew. (In Thai)
Phatkulphisal, T. (2017). The creation of thai contemporary dance in the concept of front and back. Institute of culture and arts journal srinakharinwirot Unvierstiy, 21(1), 158-165. (In Thai)
Phothisita, C. (2011). Science and Art of Qualitative Research (5th ed.). Bangkok : Amarin Printing. (In Thai)
Piromrak, C. (2019). Creation of Khuen Loy in Khon. Humanities and Social Sciences Journal, Ubon Ratchathani Rajabhat University, 10(1), 188-200. (In Thai)
Ratnin, M. (2003). Introduction to the art of directing and performing concerts. Bangkok : Thammasat University Press. (In Thai)
Rovinelli, R. J., & Hambleton, R. K. (1977). On the use of content specialists in the assessment of criterion-referenced test item validity. Dutch Journal for Educational Research, 2, 49-60.
Sirasonnthorn, P. (2015). The Participatory Knowledge Management for the Development of Social Innovation for Mon’s Cultural Community Learning: A Case of Bangka Dee, Bangkok Thailand. Research report. Department of Cultural Promotion, Ministry of Culture, Bangkok. (In Thai)
Uparamai, W. (2010). Dramatic works and Dramatics. Bangkok : Chulalongkorn University Press. (In Thai)
Watcharapan, P. (2016). Creation of dramatice arts. Udon Thani : Faculty of Education, Udon Thani Rajabhat University. (In Thai)
