The Integration of Talay Bua Daeng Creative Paintings for Souvernir Designs in Kumpawapi, Udonthani

การบูรณาการผลงานจิตรกรรมสร้างสรรค์ชุด ทะเลบัวแดง สู่การออกแบบผลิตภัณฑ์ของที่ระลึก อำเภอกุมภวาปี จังหวัดอุดรธานี

Abstract

The objectives of this research were as follows: 1) To examine 3 artistic techniques used in paintings, namely water color technique, acrylic technique and drawing technique since these techniques were suitable to be developed for a computer graphic design process and compatible with the perspective of the Red Lotus Lake; 2) To conceptualize and develop souvenirs that could symbolize Red Lotus Lake, situated in Kumphawapi District, Udon Thani Province, by incorporating creative painting methods; and 3) To analyze community participation in designing local identity. The research methodology comprised four distinct stages: 1) Collect and study fundamental field data and documents pertaining to the Red Lotus Lake tourist attraction; 2) Implement the three techniques, namely drawing, watercolor painting, and acrylic painting, to produce paintings; 3) Incorporate the paintings in the designs of five products including hats, scarves, tumblers, shirts, and bags. Aesthetic appeal and spatial integration were achieved through the application of design principles and artistic theories to determine elemental placement, while also considering the aesthetic qualities of the space. The results of a satisfaction survey administered to tourists and community representatives in five categories: 1) types of merchandise, 2) elegance, 3) uniqueness, 4) cost, and 5) value of the product, indicated the following: 1) Various characteristics encompassing figures, shapes, and colors inspired by red water lilies, aquatic plants, and endangered bird species such as the Purple Swamphen, egrets, Anastomus Oscitans, along with the landscape of Nongharn Lake, served as creative elements for paintings; 2) A range of products has been devised utilizing three painting techniques: drawing, watercolor painting, and acrylic painting, and these products were classified into four categories, namely scarves, bucket hats, tumblers, and printed shirts; and 3) Community engagement played a pivotal role in the selection of product patterns, as well as in the subsequent phases of monitoring, evaluating, and articulating opinions regarding the styles and distinctive features of locally crafted items.