Tan Pat from Mokman Wood with a Stencil Technique

Abstract

This research aimed to (1) study the fabrication of Tan Pat from Mokman wood using a stencil technique, and (2) assess the satisfaction of the target group regarding the Tan Pat made from Mokman wood using the stencil technique. The study utilized a combination of practical operation and a quantitative survey. The sample was divided into two groups: 5 experts, and 50 individuals from the target group seeking Tan Pat in the Sao Chingcha area, comprising both the general public and Buddhist monks. The research instruments consisted of an expert opinion questionnaire and a satisfaction survey questionnaire. Data were analyzed using qualitative data analysis alongside descriptive statistics, specifically frequency, percentage, and mean. 
          The findings revealed that: (1) For the fabrication of Tan Pat from Mokman wood using the stencil technique, the experts selected the first sketch design, which is the Krua Thao Bai Thet pattern. The fabrication process involved creating the fan face, handle, central core (Nom Pat), and finial (Yot Pat), followed by part assembly and lacquer coating. Furthermore, the handle and finial were additionally decorated with brass plates to enhance the value and the refinement of the workpiece. (2) The target group's satisfaction with the Tan Pat made from Mokman wood using the stencil technique was at the highest level overall. The satisfaction levels across five dimensions, ranked in descending order by mean score, were as follows: 1) Value aspect (Mean = 4.63) , 2) Distribution channel aspect (Mean = 4.54) , 3) Utility aspect (Mean = 4.52) , 4) Price aspect (Mean = 4.42) , and 5) Design aspect (Mean = 4.39).