BUDDHIST ART THERAPY: CREATE LANNA BUDDHIST ART PATTERNS INTO SAM KHA TEMPLE COMMUNITY HUA SUEA SUB DISTRICT, MAE THA DISTRICT, LAMPANG PROVINCE
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Abstract
Research on Buddhist art therapy: creating Lanna Buddhist art patterns for the community of Wat Sam Kha, Hua Suea Subdistrict, Mae Tha District, Lampang Province. Three goals are involved: the elements of Lanna Buddhist art patterns;2) an examination of the cultural practices and beliefs of the Ban Sam Kha community in Hua Suea Subdistrict, Mae Tha District, Lampang Province; and3) the incorporation of Lanna Buddhist art patterns with community therapy. Documentary, qualitative, field, and participatory action research are all included in this study.
According to the research findings,
1) There are two kinds of designs that are employed as decorations: those that were affected by central royal artists and those that are not. This collection has a variety of Kanok patterns. The distinctive design, which combines traditional Thai painting techniques with Shan or Burmese style—specifically, the giant tooth lotus pattern—indicates authentic Lanna art, which is a semi-natural and semi-artificial pattern.
2) The historical consciousness of the community is closely connected to the artistic patterns of Lanna Buddhism. Both members agree that it is reasonable, consistent, and acceptable in every way. The Ban Sam Kha community will benefit most from using Lanna Buddhist art patterns as a treatment principle to bring relief to its members.
3) How to combine and develop Lanna Buddhist art patterns to have therapeutic benefits in fostering happiness in accordance with the five power principles, where Buddhist beliefs, location, social traditions, ethnicity, and technology are significant components
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