Vol. 8 No. 1 (2025): Mahidol Music Journal

Articles

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  A SURVEY AND COMPARISON OF PIANO TEACHING NEEDS IN BANGKOK METROPOLITAN REGION PRIVATE MUSIC SCHOOLS: EMPLOYERS AND EMPLOYEES PERSPECTIVE

  Tharach Wuthiwan

  1-16

  • PDF (IN THAI)
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  A CRITICAL ANALYSIS OF DEBUSSY'S FEUX D'ARTIFICE IN THE ASPECTS OF HARMONY, INTERVALLIC RELATIONSHIPS, AND MOTIVIC DEVELOPMENT

  Attakorn Sookjaeng

  17-37

  • PDF (IN THAI)
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  DEVELOPMENT OF AN INTERDISCIPLINARY INTEGRATION MUSIC INSTRUCTIONAL MODEL IN THE DEVELOPMENT OF HIGHER ORDER MUSICAL THINKING SKILLS OF SECONDARY SCHOOL STUDENTS

  Theeraphong Bampenthan, Arethit Posrithong, Suppawan Satjapiboon

  38-52

  • PDF (IN THAI)
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  ANALYSIS OF THE POPULAR MUSIC “ROCKSTAR” BY LISA LALISA MANOBAL APPLYING ALLAN F. MOORE'S APPROACH

  Kunthee Banjukeaw

  53-66

  • PDF (IN THAI)
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  A STUDY OF THE TRANSMISSION PROCESS IN PI NAI SOLO OF KRAW NAI SAM CHAN PERFORMANCE OF SUWAT ATTAKRIT

  Sarawut Chungwatkhet, Pimonmas Promsukkul, Supatra Vilailuck

  67-85

  • PDF (IN THAI)
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  ARRANGEMENT OF ISAN FOLK MELODIES FOR SOLO SAXOPHONE

  Phongphat Laokhonka

  86-97

  • PDF
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  PERFORMANCE PRACTICE AND INTERPRETATION ON PHRA ABHAI MANI FOR PIANO SOLO COMPOSED BY DEN EUPRASERT

  Korak Lertpibulchai

  98-114

  • PDF (IN THAI)
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  THE INFLUENCE OF GUANGDONG FOLK MUSIC ELEMENTS ON THE OVERALL STYLE OF CHINESE CHORAL WORKS

  Yixi Fu, Sathit Thimwatbunthong, Nuttika Soontorntanaphol

  115-132

  • PDF
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  THE KEYBOARD TOCCATA: AN EVOCATIVE PATHWAY FROM THE RENAISSANCE TO THE MID-BAROQUE PERIOD

  Onpavee Nitisingkarin

  133-140

  • PDF
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  AN INCLUSIVE MUSIC LEARNING FOR AN UNDERSTANDING DEVELOPMENT OF MULTICULTURE AND MULTIETHNIC: A CASE OF CAKLEMPONG MUSIC TEACHING ON A SHORT-COURSE PROGRAMME FOR EXCHANGE STUDENTS

  Jarun Kanchanapradit, Chayuti Tassanawongwara, Nunthika Nateetorn

  141-156

  • PDF (IN THAI)